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Bates Motel, The Firm, Generation Kill, Prison Break, Justified, Suits, Whitechapel

2018-02-07T13:42:34Z

Posted by: sandrine

Bates Motel, Norman/Dylan, Norman/Norma: "And Mother Makes Three" by agirlnamedtruth (NC-17) -- It's so fucked up, but he doesn't know how to make it stop.

The Firm, Mitch/Joey: "This Gun's for Hire (Even If We're Just Dancing in the Dark)" by Meadow Lion (G) -- Sometime after the end of the series, truths come to light . . . but only in the dark.

Generation Kill, Brad/Nate: "Not to be Missed" by Alethia (NC-17) -- Nate nodded, once. Decisive. "You'll bunk with me then."

Justified, Raylan/Boyd: "Things I've always known" by Pampermousse (PG-13) -- Post-series. Raylan and Boyd work a few things out.

Justified, Raylan/Boyd: "sprinkle coal dust on my grave" by toli-a (PG) -- 'Do me a favor,' Raylan doesn't say, walking towards an old church, walking into Boyd Crowder’s arms flung wide.

Prison Break, Michael/Alex: "hands of dirt" by humanveil (NC-17) -- They keep ending up here, like this. A wall behind Michael’s back and a sliver of space between them.

Suits, Mike/Harvey: "needs must" by thatotherperv (NC-17) -- When Grammy needs an upgrade in care, Mike knows that the usual one-off gig as a paid submissive won't be enough. He takes a job he's been refusing for a while - a long-term, full-time contract.
He expects his client to be a sadistic asshole. He expects not to like it. He's wrong on both counts.

Whitechapel, Chandler/Kent: "Amityville" by thedevilchicken (NC-17) -- The thing in Kent's flat won't take no for an answer.

Whitechapel, Chandler/Kent: "The Frolic Architecture of Snow" by Yveta (PG) -- Chandler and Kent get snowed in overnight at the station.

Whitechapel, Chandler/Kent: "Drowning in Darkness" by Sarren (PG) -- The shadows haven't finished with Kent.

comments

The Firm, Suits, Common Law

2013-01-06T18:26:00Z

Posted by: sandrine

The Firm, Joey/Mitch: "Negotiations and Love Songs" by Teaotter (R) -- They did it: They got the charges against Patrick Walker dismissed. Which gets Joey Morolto – and the Chicago mob – out of Mitch’s life for good. But in the process, he's fueled a mob war and made an enemy of a murderous Russian gangster. If Mitch is going to set things right – and keep his family safe – he's going to need help from the one person he hoped never to see again: Joey Morolto.

The Firm, Joey/Mitch: "The Same but Different" by glitterburn (PG) -- Joey and Mitch are two sides of the same coin. It's just that Mitch doesn't realise it yet.

Suits, Rachel, Mike/Harvey, Rachel/Mike: "This Love is Silent" by kim47 (PG-13) -- Despite Harvey's warnings, Mike tells Rachel the truth about everything. She's shocked, naturally, and more than a little angry, but she agrees to keep his secret, and even to date him. So when they break up, Harvey goes into damage-control mode.

Common Law, Wes/Travis: "Nothing Like A Wrecking Ball" by unadrift (PG-13) -- Travis pulled through. He pulled through, but of course he'd had to make Wes sweat first.

Common Law, Wes/Travis: "Accidentally (Committed)" by moirariordan (PG-13) -- It sometimes feels like Travis has known Wes for forever, like he was always there, in the background, bitching about the food and judging Travis' life choices. It's weird, because sometimes Travis will be looking at an old photo and think to himself 'man it's weird that Wes wasn't in this shot I would've totally made him be in this shot' and then he'll remember that it's a picture of his second foster mom from 1990 and that's fucked up.

comments

The Firm, Suits, Common Law

2013-01-06T18:26:00Z

Dark Knight Rises, Skyfall, Polizeiruf 110, Savages, Suits, Swimming RPF

2012-11-27T13:37:00Z

Posted by: sandrine

The Dark Knight Rises, Bruce/Selina: "You Could Have Gone Anywhere, But You Came Back" by Rave (PG-13) -- “You’re dead and you’re broke,” Selina says, working a little too hard to recover. “Neither one suits me. I’m a girl of expensive tastes, and I don’t like cold men.”

James Bond - Skyfall, Bond/Q: "slow hands killer" by paxlux (R) -- Après moi, le déluge. (There is nothing gentle about Bond. There is nothing gentle about Q.)

Polizeiruf 110, Bukow/König: "Mit Schweigen sich niemand verrät" by gelbes_gilatier (PG-13) -- Bukow und König, Coda zu "Stillschweigen". (In German.)

Savages, Ben/Chon/O: "we're bleeding out" by crickets (R) -- A love story in five acts.

Savages, Ben/Chon/O: "milk" by crickets (R) -- It's a long time after the whole mess that O lets anybody touch her, really touch her.

Suits, Harvey/Mike: "Theories, Policies and Loopholes" by tattooedsiren (NC-17) -- Despite how long they have known each other (over a year), despite how well they know each other (better than anyone), Mike can't remember the last time he and Harvey were genuinely alone. And because Harvey is the most important person in his life, his best friend really, Mike wants to know that what they have is real, that they can still be them when no one is watching. And he has this theory, barely constructed and ethereal at best, that maybe if they did spend some time alone together, that they would discover the true bounds of their relationship...

Swimming RPF, Ryan Lochte/Michael Phelps: "We’ll Keep Doing What We Do (Just Pretending That We’re Cool)" by stylinsons (R) -- “So, is this the equivalent of tugging Ryan’s pigtails in the school yard?” Natalie asks him softly as Michael picks up another handful of peanuts to flick at Ryan’s head while he tries to study at the tables.

Swimming RPF, Ryan Lochte/Michael Phelps: " To Begin Again in France" by stylinsons (NC-17) -- Ryan is twenty when he blows his knee out in a scooter accident. The doctors can’t fix it, beyond getting his mobility back and enough physiotherapy to walk without a limp, but his life is over. He can’t swim professionally anymore.

comments

Dark Knight Rises, Skyfall, Polizeiruf 110, Savages, Suits, Swimming RPF

2012-11-27T13:37:00Z

Chicago Fire, Cursed, Game of Thrones, The History Boys, Suits, The Walking Dead

2012-10-21T14:09:00Z

Posted by: sandrine

Chicago Fire, Matthew Casey/Kelly Severide: "Falling" by Signe (PG-13) -- Matt's on the verge of working it out, he knows he is. It's like an itch he can almost reach — he just needs to relax that fraction more and he'll be there.

Cursed, Jimmy/Bo: "Stealing Kisses" by csi_sanders1129 (PG-13) -- Five Times Jimmy and Bo kiss and one time it actually counts.

Game of Thrones, Robb/Jamie: "The King's Whore by Magnetism_bind (NC-17) -- Robb finds a use for Jaime Lannister.

The History Boys, Dakin/Irwin: "The Decline and Fall" by magnificentbastards (R) -- “Then you know: the truth matters, as a baseline. We’re not writing fiction. The facts are there, most of the time, for you to discover. What you want to do with them, the story you want to tell, which threads to pick out of the tapestry—that’s what makes it history, rather than just the past.”

Suits, Harvey/Mike: "You Make Me Feel Like" by sharpisignature (NC-17) -- Jessica sends Mike to work with one of the other attorney's at the firm for a week.

The Walking Dead, Daryl, Rick: "take my yoke upon you (ye who are labour and are heavy laden)" by Jedi Buttercup (PG-13) -- Rick don't sleep so much anymore, Daryl's noticed.

comments

Chicago Fire, Cursed, Game of Thrones, The History Boys, Suits, The Walking Dead

2012-10-21T14:09:00Z

Suits

2012-09-17T15:36:00Z

Posted by: sandrine

Harvey/Mike: "bury all your secrets in my skin" by tattooedsiren (PG-13) -- When Rachel finds out the truth about Mike’s past Harvey is confronted with a reality he has never prepared for: the possibility that he could lose Mike.

Harvey/Mike: "The Hardest Thing In This World" by coffeejunkii (NC-17) -- After his grandmother dies, Mike seeks out Harvey.

Donna/Harvey: "the cold comfort of the in-between" by abvj (NC-17) -- The other time. It is just as complicated as one would think.

Harvey/Jessica: "A Night to Forget" by mskatej (NC-17) -- “I got us a little something extra for the party,” he says. This is the party. Just the two of them because no one else has earned it; the office is deserted and it’s the perfect setting for some transgressive behavior.

comments

Suits

2012-09-17T15:36:00Z

Suits

2012-06-09T10:36:00Z

Posted by: sandrine

Harvey/Mike: "Just the Right Amount of Wrong" by blackstar777 (NC-17) -- Harvey and Mike go to Vegas for business. Harvey's never been good at sharing his things.

Harvey/Mike: "7,776,000" by tattooedsiren (PG) -- It’s been three months since his life fell apart. Ninety days since Trevor walked into Pearson Hardman and betrayed him to Jessica, a lifetime of friendship over in the blink of an eye. Two thousand, one hundred and sixty hours since he was called into Jessica’s office and she confronted him with the truth he couldn’t deny, couldn’t talk his way out of. One hundred and twenty nine thousand, six hundred minutes since he fell on his metaphorical sword to protect Harvey, the only thing he could do to save the man who put everything on the line for him.

Harvey/Mike: "Here at the end of all things" by tattooedsiren (R) -- When he arrives at the Pearson Hardman building the lights are dimmed and the floor is deserted. His feet carry him to Harvey's office even though he expects it to be empty. Because Harvey probably fled the city via helicopter or teleporter or sheer force of will. But when he approaches the office he can see that Harvey is there. He has moved the couch so that it now faces the floor to ceiling windows and Mike silently sits beside Harvey, joins him in looking down at the chaos engulfing the city below. [Apocalypse AU]

comments

Suits

2012-06-09T10:36:00Z

Inception, Suits, The Eagle

2012-03-05T03:14:00Z

Posted by: foxgloves42.livejournal.com

Inception

Late Night Phone Call by sparkledark; NC-17; Arthur/Eames
Arthur usually finds blatant fishing for compliments extremely irritating, but in Eames' case he is reluctantly charmed. In fact, he writes the phrase "reluctantly charmed" into the Eames notebook the moment the words occur to him because they so perfectly encapsulate his entire situation.

Suits

in•somnia by myystic; PG; Harvey/Mike (pre-slash)
Five times Harvey found Mike asleep and woke him up plus one time he let him be.

The Eagle

The Long Season by Nahara; R; Marcus/Esca
Winter is a harsh time for Marcus. Every year it only gets harder.

Ten Thousand Paces by destina; R; Marcus/Esca
He stared into the darkness, and slowly, a plan took shape, one that would come at a high cost. But he had endured pain before, and for reasons much less dear to his heart. If Esca wanted to wander, Marcus would not have him tied to a man so wounded he could not make his own way. He would release those ties, and see what would come of it. Esca must be truly free; there was no other way.

Amo, Amas, Amat by chibirhm; R; Marcus/Esca
He knows that Esca is a double-edged blade, that he is the sort that can break a man's spirit as easily as he can mend it, that he is equally as ruthless to his enemies as he is gentle to those he deems worthy, and that Marcus, who is far and away the most frequent recipient of Esca's smiles and laughter, has been given the greatest part of Esca's heart, is Esca's very favorite stray of them all.

comments

Inception, Suits, The Eagle

2012-03-05T03:14:00Z

Suits

2012-02-20T12:46:00Z

Posted by: sandrine

Harvey/Mike: "a day too early (still a couple dollars short)" by thatotherperv (NC-17) -- Canon AU. Harvey picks up Mike in the pilot instead of Miss Eat-It-Off-My-Stomach. Mike isn't easy, in any sense beyond the obvious.

Harvey/Mike: "But I'll be Yours if You'll be Mine" by acquiescence_ and midnight_writer (NC-17) -- Mike dons his best club gear and heads out for a night on the town to clear his head when he gets a late night call from Harvey telling him he's needed in the office right away. With no time to change Mike has no choice but to head in dressed as he is, and Harvey can't get enough of Mike's get up.

Trevor/Kyle: "Tequila and Dark Corners" by FluffyGremlin (NC-17) -- Trevor went to the dark bar to forget about Mike Ross and found someone else who had done the same.

comments

Suits

2012-02-20T12:46:00Z

The Eagle, Fringe, The Social Network, Suits, Terra Nova

2011-12-08T18:01:00Z

Posted by: sandrine

The Eagle, Marcus/Esca: "All Bets Are Off" by lallyloo (NC-17) -- AU. Esca is a cocky rich guy who attends underground fights. One night he sees Marcus fight, all wild beauty, tattoos, cuts and bruises. He offers Marcus an absurd amount of money for the night together. Marcus agrees, then turns the tables on Esca and takes control away from him. Before Esca knows it, he's lost.

Fringe, Peter/Lincoln: "The Little Black Dress " by rainer76 (NC-17) -- “You’re not packing the right equipment. It’s a girls’ night out.” Peter sets the envelopes aside and smirks at him, his eyes raking down Lincoln’s body insolently. “But if you want to go ahead, good luck squeezing into a dress.”

The Social Network, Mark/Eduardo: "We're Just Ashes and Wine" by kissingcrime (NC-17) -- Due to copious amounts of intellectual property theft ... etc, Mark is sent to jail for white collar crime. Eduardo is so worried about him that he decides it's time to get past his hurt feelings and go visit Mark and make sure he's okay, etc...

Suits, Harvey/Mike: "Harvey Takes Note" by FluffyGremlin (NC-17) -- Harvey scribbles a note on Mike's hand that would have been innocent if it weren't for the fact that Mike was totally and utterly in lust with him. And then he did it again... And again...

Terra Nova, Taylor/Mira: "Switch Off The Stars" by lonelywalker (NC-17) -- They bring guns, and leave their politics behind.

comments

The Eagle, Fringe, The Social Network, Suits, Terra Nova

2011-12-08T18:01:00Z

Suits, The Social Network, White Collar, Fringe, The History Boys

2011-11-10T16:45:00Z

Posted by: sandrine

Suits, Harvey/Mike: "The Rules of Normalcy" by faithbeckett (NC-17) -- Harvey is a bit broken. Mike tries to fix him. Sexy shenanigans ensue. Tag to the end of 1.11.

The Social Network, Mark/Eduardo: "Five happy endings Mark and Eduardo never had (and one they did)" by pendules (PG-13) -- What if's and happy endings.

The Social Network, Mark/Eduardo: "People You May Know" by alexthegreat (PG-13) -- Mark's Facebook recommends that he be friends with Eduardo. He obsesses over during his high school reunion.

White Collar, Neal/Peter/Elizabeth: "If You're Gone" by sahiya (PG-13) -- What do you do when the people who've become your Pole Star move three thousand miles away? Neal Caffrey is about to find out.

Fringe, Lincoln/Olivia: "The Third Case" by norgbelulah (PG) -- This is only their third case. Olivia didn't imagine it going down quite this way.

The History Boys, Dakin/Irwin: "If only Fiona didn't have such a nice ass..." by shadowkatsang (PG-13) -- And up above, in his office, the Headmaster is too distracted by the sight of Fiona's - er, Miss Proctor's - shapely rear end as she leans over the desk to gather up files to look out the window and notice a boy on the back of Hector's motorbike.

comments

Suits, The Social Network, White Collar, Fringe, The History Boys

2011-11-10T16:45:00Z

Suits, Inception RPS, Inception, TSN RPS, The Walking Dead, Sherlock (BBC)

2011-11-07T22:36:00Z

Posted by: yukimagik.livejournal.com

SUITS
"Friends? I'd Say Family" by mockturtletale. PG-13.
Harvey/Mike, kid!fic. (Harvey has a five year old son).

INCEPTION
RPS "I Will Never Leave You (too far behind)" by FaeryQueen07. R. Joe/Tom
Joe is a suave ass motherfucker and has not had some weird teenage crush on Tom Hardy since they filmed Inception. And he most definitely has not been waiting for Tom to call like he said he would. Except for how maybe he has.

MOVIE-VERSE (all Arthur/Eames)
"You're Prettier then Anything that I'd Write" by black_betty_26. PG.
Eames explains why he doesn't seduce people in the real world. Ariadne and Arthur are baffled. And then Arthur takes control of the situation...as he tends to do.

"Light Up" by osaki_nana_707. R.
Arthur has cancer. Eames is heartsick but doesn't realize it. Both of them deal with it together. There's also love.

"Awake" by twisted_ream. PG-13.
Arthur talks to Eames every other night.

TSN RPS
"so do the bluebirds sing" by ellot. G. Andrew/Jesse
kid au, andrew gives jesse a ring pop and plans their future wedding.

THE WALKING DEAD
"Sometimes (I think I can dream)" by dana_norram. NC-17. Daryl/Glenn
Everybody wants to have somebody come back for them.

SHERLOCK (BBC) (All John/Sherlock)
"can't say no" by cold_feets. G.
John comes out of the kitchen brandishing a package of HobNobs. "Sherlock, if you think I'm going to mind after her, you, whatever it is you're growing in the fridge, plus one of those--" In which Sherlock and John have a daughter. And kittens, apparently.

"How Can We Say Forever" by queenfanfiction. PG-13.
In the three years since the mysterious Moriarty's death in the poolside explosion, John Watson has become a husband, a father, and a widower, all the while still mourning the loss of his friend and flatmate Sherlock Holmes. When Sherlock, very much not dead and very much in trouble, finally finds his way home again, John is forced to decide which he will protect first: his new family, or his old love—or maybe, just maybe, he can find a way to choose both.

P.S. Might I ask for The Walking Dead and RPF: Inception tags, please?

comments

Suits, Inception RPS, Inception, TSN RPS, The Walking Dead, Sherlock (BBC)

2011-11-07T22:36:00Z

Suits

2011-09-04T21:53:00Z

Posted by: sandrine

Suits:

Harvey/Mike: "Unobstructed Views" by templemarker (NC-17) -- Mike grabbed Harvey's hand where it rested by his side and tugged. "C'mon," he said. "I do know one thing. I want to be here. Don't you?"

Harvey/Mike: "Can I Have it in Writing?" by entangled_now (PG-13) -- It's a marker, Mike can tell by the slithery wet texture of it. He hopes to God it isn't permanent.

Harvey/Mike: "Friends? I'd Say Family." by mockturtletale (PG-13) -- Mike very quickly tries to calculate just how much he’s had to drink tonight because Harvey is standing in the middle of his very spacious, very expensive looking kitchen helping what appears to be a small child clad in Charizard pyjamas down from where he seems to have pushed a chair up against the island to clamber on top and subsequently knock down a stack of saucepans, the lids of which are still spinning against the tiled floor.

Harvey/Mike: "Excerpts From The Gospel of Harvey Specter, edited by Michael "Forever Awesome" Ross, 2011, 1st Ed." by mclachland (PG-13) -- Mike can so read people. Or maybe just Harvey, who's pretty much an open book.

Harvey/Donna: "Happy To See Me" by Zinnith (NC-17) -- He’s already her boss and her best friend and they’ve been through enough together that having sex couldn’t possibly change anything fundamental between them.

Suits / American Psycho:

Harvey, Patrick: "God's And Satan's Brood" by sam_storyteller (R) -- He catches sight of himself in the mirror. Most days he just sees himself. But sometimes -- clean-shaven, smelling of Dove soap and Tom Ford and money, hair wetly slicked back -- he sees his older brother in his face and can't help the brief choke of nausea.

comments

Suits

2011-09-04T21:53:00Z

Suits

2011-08-07T14:26:00Z

Posted by: sandrine

all Harvey/Mike:

"Ex Facie" by meeks00 (R) -- Mike always manages to find a way around Donna’s front desk security detail and into Harvey’s office, where he touches things, with his bare hands, without asking.

"Continental Drift" by rangerdanger (PG-13) -- Mike and Harvey are in a relationship. They just don't know it yet.

"all in (cause we're both going to win)" by Twizzler (NC-17) -- Nobody loses at strip poker.

"Caveat Quaestor" by MajaLi (PG-13) -- Mike has a tattoo. Harvey needs to know what it is.

"Wind Me Up And Watch Me Tick-Tock-Tick" by anonymous (NC-17) -- "I don’t just randomly ask guys to pull down my pants and spank me, you know. I don’t think there’s anyone else I’d trust enough to even consider asking this from."

"serviced no kings" by ienablu (R) -- Arriving at a client's ritzy party, after a few straight days of work, Mike is mostly presentable, except for the five o'clock shadow. It makes him look unprofessional, which makes Harvey look unprofessional, and so he takes Mike aside to give him a shave.

"Good Boy" by MajaLi (NC-17) -- After a long process of trial and error, Mike becomes Harvey's sub. Or maybe he always has been.

comments

Suits

2011-08-07T14:26:00Z